With the dreaded
settings edit out of the way, we move on to something a little easier.
Kind of.
Not really.
Okay, this is the
emotions edit.
So here’s the funny
thing about me: I am an emotions overanalyzer. Not just in my writing, but
in life. I’m often deeply analytical about why I feel the way I feel and why
others react the way they do. Since I got past the awkward years of early teenagedom,
I’ve always been pretty self aware about my emotions.
I was not aware that
other people didn’t analyze their every motive and thought, so when I started
writing, a lot of my characters did the same thing. Until some lovely people in
my critique group told me, uh, teenagers don’t think like this.
This came as a bit of a
surprise to me, as a teenager who thought exactly like this. But once I thought
about it, as I do, I knew they were right. Most people just experience
emotions. Some are more impulsive than others but they don’t think too hard
about what they’re feeling. I do, so that means stepping out of my skin to
write my more impulsive characters. And my current MC is all kinds of
impulsive. Thus, we have the emotions edit.
The emotions edit is
simple. I read through all the more emotional scenes and make sure the
characters’ reactions are in the moment and natural. I make sure that the
emotions have punch and that I don’t waste time explaining them. I also make
sure that I don’t repeat emotional descriptors too much, as I sometimes do.
This isn’t as tedious
as the scene edit, but it is really difficult for me. My characters can’t
always act rationally because it doesn’t fit in with their personality. They
can’t always understand why they feel the way they feel. Especially when
they’re young. This edit is hard for me, let’s face it. But it improves the
manuscript vastly once its over.
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