And we’re back with more Lessons from Anime!
I know I talked about Durarara last week, but honestly, I
really have to talk about it again because I love this show. It honestly
reshaped some of perspective on storytelling and showed me a different way to
handle serious dilemmas, philosophical discussions and fantastical elements.
The fantastical elements are the focus of this particular
lesson.
One of the pitfalls of any fantasy book, show or movie is
the dreaded info dump. Its very easy to fall into because, hey, world building
is hard and when you’re trying to bring the reader into a complex world, you
just want to spout all of the information from the beginning. Its dfficult sometimes to trust your reader to follow you, or to know how much to give them
at the front. I always struggle with
this in my fantasy because I have a tendency to give myself over complicated worlds to work
with. Thanks me.
And then there’s Durarara. This show sports all sorts of
fantastical things. A headless Irish fairy that rides a shadowy bike instead of
a horse.
A man who’s body has no physical limits, allowing him to pick up and
throw things like vending machines and light posts.
A sword that loves humans
and can control everything it cuts.
And that’s just the beginning of the
strange residence of the city of Ikebukoro. Most stories would try to
contextualize all of these strange beings and explain why they exist in this
story. And while the characters themselves are given a fair ammount of
backstory, the show never really tries to explain the fantastical elements.
They’re just there. Because it said so.
And you know what, there’s something kind of wonderful about
that sort of storytelling. While other books sit you down for a history lesson,
Durarara grabs you by the hand and asks you to roll with the punches. The
explanation doesn’t matter, it’s the story and how the characters bounce off
each other that the audience cares about. Don’t get caught up in the details.
Enjoy yourself and have fun!
Now I’m not saying that Durarara has no world building. It
explores all of its fantasy elements from a psychological perspective. And all
of its elements and characters, once introduced, remain consistent throughout
the run of the show. Once or twice it forgets to adequately explain something
or a strange character falls by the wayside, but for a sixty episodes show
sporting a cast of thousands, it does a good job with what it has.
And I think we, as fantasy writers, can learn a lot from
Durarara. So next time you’re about to info dump, remember to trust your
audience to follow you. Be sparing with your information, grab them by the hand
and yank them right in. They’ll be able to keep up. They’re smart. And the
world ultimately isn’t the most important. It’s the story within it that
matters.
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